Fonds consist of 13 photographs of Roy Kiyooka, Jack Shadbolt, Ron Bloore, Ken Lochhead, Doug Morton and Mickey Morton at Emma Lake, Sask. The photos were taken in October, 1989.

This fonds includes materials relating to Ernest Carefoot’s career as a playwright, poet, theatre director, as well as his later interest in the merger of visual art and prose poetry.

This series contains materials created and/or acquired by Walter Murray during his tenure as President, from 1908-1937, documenting nearly three decades of the University of Saskatchewan’s history including its establishment; the faculty crisis of 1919; the development of the Colleges of Agriculture, Arts & Science, Education, Engineering; Law; Medicine, Pharmacy and the Extension Division; and the financial crisis of the Depression years.

Student ephemera from 1940-1952. Including crests, pamphlets, student election ballots (Sylvia Fedoruk), dance and event pamphlets, student directories, student cards, etc.

Fonds consists of information on all the exhibitions held at Neutral ground from 1982-1990, with a few exceptions. The collection also contains photographs, slides, and posters.

These photographs capture the activities of the Indian 4-H program in a number of locations around Saskatchewan. Most photographs are in albums, although some arrived mounted on foamcore.

This fonds contains numerous of Marie Elyse St. George’s prints and sketches, together with some textual records relating to print-making and writing.

This collection contains prints using the George Baxter patented method. A Baxter print is generally considered any print done by Baxter, licensees or other printers using his method. Baxter used relief and intaglio printing methods.

The fonds consists of textual materials generated by Swift Current First Pastoral Charge and its various predecessors, including Swift Current Knox Pastoral Charge, Swift Current Metropolitan Pastoral Charge, Cantaur Circuit, Waldeck Pastoral Charge, and Rush Lake - Burnham - Neidpath Pastoral Charge, as well as their constituent congregations – church boards, committees and related bodies, local women’s units and other groups.

Contents include: minutes of official boards, Stewards, Session, congregational, and committee meetings; records of local Ladies Aid Society, Women’s Missionary Society (W.M.S.), Woman’s Associations (W.A.), and United Church Women (UC.W.), as well as men’s (A.O.T.S.) groups; Sunday School and youth group records, including local C.G.I.T. units; some financial records and annual reports; communion and historic rolls; Home Mission Record Books from Rush Lake, Neidpath, Burnham, Braddock, Ashley Park (Swift Current), and Waldeck; and registers of baptisms, marriages, and burials held at Swift Current (including Knox, Metropolitan and First Churches), Success, Beverley, Neidpath, Rush Lake, Herbert, Cantaur, and related locations.

This fonds consists of correspondence, research notes, drafts, and manuscripts relating to King's books: "A Book of Canadian Poems;" "A Book of Essays;" "Extending the Boundaries;" "The First Fifty;" "Saskatchewan: The Making of a University;" "Saskatchewan Harvest;" and "Three Stories by Joseph Conrad." Additionally, it includes King's articles, lectures, and addresses dealing primarily with Canadian literature. There is also material related to King's other interests: the career and works of G.B. Shaw and R.A. Wilson, provincial and national library associations, and pacifism.

Fonds consists of personal and professional papers created by Saskatchewan poet and writer, Anne Campbell. The papers are arranged in twelve series reflecting her numerous interests and activities: Arts/Cultural Organizations; Clippings; Correspondence files; Educational Institutions; Employment files; Exhibition Brochures/Invitations/Programs; Interests; Personal files; Photographs; Professional Organizations; Publications/Writings/Drafts by Anne Campbell; and Publications/ Writings/Drafts by others. Of particular interest is the extensive series of correspondence with family, relatives, friends, writers, artists, and colleagues, as well as drafts, manuscripts, reviews, and published versions of her writings. Taken together with her calendars, diaries, notes, and photographs these papers provide personal insights into Anne Campbell and the development of her work. Beyond that, files relating to the numerous cultural and professional organizations with which she was involved, especially the Saskatchewan Writer's Guild, the Writers union of Canada, and the League of Canadian poets, cast light on the craft of writing and creating poetry in Saskatchewan and on the milieu in which those activities occur. Additionally, files relating to local cultural groups, including an extensive series on Heritage Regina, provide evidence of the local cultural scene.

The first accession (2011-053) contains a scrapbook, art catalogues and theatre playbill programs.
The second accession (2016-147) is a record of Calder’s activities in three areas: personal life and career as student and faculty member, career as an internationally published author, and contributions to the Saskatchewan writing community.

Correspondence from British emigrants describing their lives in Canada and concern over the war. The collection includes letters, photographs, negatives, manuscript drawings, maps, greeting cards, news clippings, and one small watercolor.

This fonds contains two distinct sets of material. The first documents Wiebe’s career at the University Library and the second his participation in the activities of the University of Saskatchewan Faculty Association (USFA).