This fonds consists of materials used, created, and accumulated by the Westlund and McAusland families. The majority of the material consists of financial records related to the farming operations of Arthur Westlund and Clarance McAusland near Brownlee and Melfort, Saskatchewan respectively. Although broadly speaking, the story of agriculture in Saskatchewan is well known – cyclical environmental factors, changes in product prices and markets – this fonds provides evidence of the impact of those changes on the lives of a single family, over decades. How that family interacted within the local community is also revealed in terms of how and where they spent their income. The source material, in farm account books, vendor receipts, property tax assessments, banking and investment records, income tax returns, crop insurance documentation, and other materials generated from the farming operations, provides direct evidence of farm and community in the lives of one farm family over generations. In addition to the farming records, there is a small amount of correspondence, family memorabilia, ephemera, and artifacts. The fonds includes some material related to the Saskatchewan Liberal Party as the McAuslands were members of the party for a number of years. The fonds also includes records related to the operation of the Royal Winter Snow Plow Club, of which Clarance McAusland was a member. There is also a small collection of publications which are largely related to agriculture.
This fonds contains notes, clippings, correspondence and audio tapes. Much of this fonds is made up of a series of journals kept by McConnell that document his interests and over a twelve year period.
The fonds includes material documenting William Deverell’s career primarily as a writer and a lawyer. Among other material, included are research and drafts relating to most of his books and screenplays; other writing; documents re court cases, particularly those used as background for books and screenplays (including the CBC series Scales of Justice); records relating to The Writers Union of Canada; material relating to early activities including newspaper articles written by Deverell and clippings etc. relating to his election campaigns and trials he was involved in; videocassettes of his films Shellgame and Mindfield; correspondence with agents, publishers, producers, fans, etc., and other records relating to the publication and promotion of his books and films; and professional and personal correspondence with Carol Shields, Marian Engel, Margaret Atwood, Susan Musgrave, Stephen Reid and others.
These posters document some of the social activities available to students during the 1940-41 regular term. All are hand-made and most are the work of students Jim Quong and A.B. Farnam.
This collection primarily reflects Zepp’s interest in Inuit art and artists. It includes interviews with artists, images taken over the course of several years of the northern landscape, community and individuals. Importantly, Zepp and Varga spent time at fishing and hunting camps or in the homes of artists, and the resulting material reflects that friendship and intimate relationship. Material created or acquired during Zepp’s career as a curator is also evident, including a significant photo resource of Inuit art from major collections. The reference library is an uniquely complete set of articles and major works relating to Inuit art in Canada. Additionally, the collection includes material relating to a number of other artists, predominantly from Saskatchewan, whose work Zepp admired (in many instances, Zepp organized the first major exhibition of their work).
