The material in this fonds consists largely of scripts, clippings, photographs and ephemera pertaining to Bakker’s involvement in theatre in the province of Saskatchewan, and Canada at large. Materials highlighting Bakker’s career are included, as are materials pertaining to her involvement in various theatrical professional organizations. Some personal materials have also been retained.

This fonds consists of a small portion of Maugham's manuscript and published items. The majority of the material relates to "The Deserters" and includes manuscripts, proofs, and a published copy of this work. The incident which forms the central theme of "The Deserters" is a meeting between an English and German soldier during World War Two. This incident is based on an event that happened to Maugham while he was fighting in the Western Desert during World War Two.

The fonds also includes heavily annotated manuscripts of "Winter in Ischia: A Novel" and "The Account: A Novel". "The Account: A Novel" was based on Maugham's play, "Enemy." There is also a manuscript of the play, "A Question of Retreat." The fonds also includes a first printing paperback copy of "The Wrong People," a monograph which was originally published by Maugham under the pseudonym David Griffin. The fonds includes a handwritten note and published tribute written by Peter Burton, who worked closely with Maugham for many years and was one of his literary executors. The fonds also contains two newspaper clippings.

This manuscript collection contains the Director's scripts of Radio Plays produced on the CBC National Network by Emrys Jones during the period 1952 to 1954. All the scripts are copyright by their respective authors. The authors of these plays have been arranged alphabetically in each series

Fonds consists of promotional materials relating to Corner Gas including a mug, a hat, a shirt, DVDs, scripts, a signed photograph of the cast, press materials, postcards, Christmas cards, and correspondence.

This fonds contains material relating to theatre in Saskatchewan. In particular, productions from the University of Saskatchewan (Greystone Theatre) and Gateway Players are well represented, but there is also material from numerous other theatre groups, including The Actor’s Lab, New Theatre Co-op, and Saskatoon Community Players. This fonds contains programmes from various plays, concerts, and cultural events, together with numerous productions in which Chrisse Bornstein played a role, either as an actor or behind the scenes. This information has been included within the file descriptions.

This collection contains materials related to AIDS Regina and the dramatic productions initiated by them as fundraisers / education. An outreach of that work was the formation of Oscar Wilde & Company. This collection includes scripts, posters, and programmes; and by extension documents the collaboration between Nils Clausson and Guy Michaud, who established the first gay theatre company in Saskatchewan.

This fonds consists of records created, accumulated and used by Margaret (Fiji) Robinson in her career as a vocalist and performer in the musical revues The Quinlan Sisters (comprised of Robinson, Peter McGehee and Wendy Coad) between 1981 and 1984, and The Fabulous Sirs (Robinson and McGehee) between 1987 and 1990 in Saskatoon, Saskatchewan and Toronto, Ontario.

It also includes records created, accumulated and used by Robinson between 1990 and 2007 in the development of a book proposal and subsequent film proposal on her career as a performance artist working with writer/director Peter McGehee. Research and notes for the online GLBTQ On-Line Encyclopedia entry for McGehee's life partner, human rights activist Douglas Wilson, are also included.

It also includes records created, accumulated and used by Robinson in 2008 and 2009 in the course of producing Painted on the Spot: On the Road with Ernie Luthi, a documentary about Ernest Luthi (1906-1983), an artist from Punnichy, Saskatchewan.

The types of records included are research notes, drafts of written works, clippings, programmes, posters, song lyrics, music scores, photographs, budgets, grant applications, curricula vitae, drawings, photocopies of correspondence to Ernest Luthi, a CD-ROM and an audio cassette recording of The Fabulous Sirs in concert at the 1988 Edmonton Fringe Theatre Festival.

This fonds consists of records created, accumulated and used by Peter McGehee in his work as an artist, performer, and writer in San Francisco, California, Saskatoon, Saskatchewan and Toronto, Ontario, and as part of the Quinlan Sisters and the Fabulous Sirs. The fonds also includes photographs taken by McGehee's friends, such as his partner Doug Wilson and Fiji Robinson.

Textual records include: an outline of a script of Fiji Robinson's life story (according to Peter McGehee); a poster for "Beyond Happiness: The intimate memoirs of Billy Lee Belle"; photocopied advertisements and newspaper articles about "Boys Like Us" and the Quinlan Sisters; posters for the Quinlan Sisters; Fabulous Sirs concert itinerary; invitation to Maddy Quinlan's (Tim Lewis) 10 year in San Francisco party; and a business card for the Quinlan Sisters with McGehee listed as writer/director, Doug Wilson as manager, and Fiji Champagne, Peaches O'Cod, and Marie Quinlan as performers.

Photographs include colour and black and white prints, black and white contact sheets, print collages, and colour and black and white negatives. Images include professional photographs of Peter McGehee, The Quinlan Sisters, The Fabulous Sirs, and Doug Wilson and candid shots of Peter McGehee, Doug Wilson, Wilson's family, Fiji Robinson, Wendy Coad, Rob MacDonald, Cheryl O'Brien, Janice Kell, Michael Achtman, Brian Gladwell, Lynn McLeod, Charlie Drinkwater, Ruth Welsh, John Goodman, Julie McGehee, Katie O'Grady, and David Rimmer. Some photographs are identified as taken in San Francisco, Toronto, New York City, Rome, Italy, Granada, and Saskatoon, Climax and Meadow Lake, Saskatchewan. Most negatives are not identified. Some photos contain explicit content.

This fonds contains material relating to the research work, students, faculty and administration of the College of Arts and Sciences, and its departments. These records generally contain correspondence, minutes, reports, and memoranda; they may also contain material relating to associated national or international organizations, research articles, and addresses.

This fonds is divided into four accessions. The first consists of the departmental correspondence and reports. The majority of this accession deals with the organization and production of Summer Tours to small centres in Saskatchewan and Manitoba (1948-1950). The second accession includes a calender of performances (1946-1969), scripts and prompt books. The third accession includes class lists, lecture notes, annual reports (1955-1975), Greystone Theatre records and files relating to Drama Department productions (1947-1971). Production files contain programs, photos, reviews, box office receipts, correspondence, cast lists etc. The fourth accession contains lecture notes, essays, and writings of Emrys Jones, the first head of the department.

This fonds consists of records documenting Saskatoon Gateway Players' productions since its inception, including b&w headshots of the actors, numerous on-stage photographs of most productions, videos of some performances, programmes, brochures and posters, as well as administrative records of the organization such as board minutes and financial records. The fonds also includes copies of the Saskatoon Gateway Players newletter "The Prompter," newclippings, and an electronic database containing the production's dates, titles, actors, production crew, and season board members.

Fonds consists of personal and professional papers of Rita Shelton Deverell. Documenting her multi-faceted career are publications, research files, teaching records, correspondence , audio-visual materials, committee and conference records, professional memberships, reviews, clippings, and workshop records. Of particular note are background information, correspondence, financial records, transcripts, and clippings relating to Deverell's research on theatre personality, Florence B. James. Personal records include appointment books, financial records, contracts, photographs, publications, scrapbooks, clippings, and songbooks, as well as a small quantity of personal correspondence. Research files, seminar materials, drafts and abstracts, and other records relating to Deverell's doctoral studies are also present, chiefly pertaining to her dissertation on "Arts Policy, Society, and Children".