This fonds consists of records created, accumulated and used by Peter McGehee in his work as an artist, performer, and writer in San Francisco, California, Saskatoon, Saskatchewan and Toronto, Ontario, and as part of the Quinlan Sisters and the Fabulous Sirs. The fonds also includes photographs taken by McGehee's friends, such as his partner Doug Wilson and Fiji Robinson.

Textual records include: an outline of a script of Fiji Robinson's life story (according to Peter McGehee); a poster for "Beyond Happiness: The intimate memoirs of Billy Lee Belle"; photocopied advertisements and newspaper articles about "Boys Like Us" and the Quinlan Sisters; posters for the Quinlan Sisters; Fabulous Sirs concert itinerary; invitation to Maddy Quinlan's (Tim Lewis) 10 year in San Francisco party; and a business card for the Quinlan Sisters with McGehee listed as writer/director, Doug Wilson as manager, and Fiji Champagne, Peaches O'Cod, and Marie Quinlan as performers.

Photographs include colour and black and white prints, black and white contact sheets, print collages, and colour and black and white negatives. Images include professional photographs of Peter McGehee, The Quinlan Sisters, The Fabulous Sirs, and Doug Wilson and candid shots of Peter McGehee, Doug Wilson, Wilson's family, Fiji Robinson, Wendy Coad, Rob MacDonald, Cheryl O'Brien, Janice Kell, Michael Achtman, Brian Gladwell, Lynn McLeod, Charlie Drinkwater, Ruth Welsh, John Goodman, Julie McGehee, Katie O'Grady, and David Rimmer. Some photographs are identified as taken in San Francisco, Toronto, New York City, Rome, Italy, Granada, and Saskatoon, Climax and Meadow Lake, Saskatchewan. Most negatives are not identified. Some photos contain explicit content.

Fonds consists of material regarding the administration of the Vic Juba Community Theatre.

This collection contains drafts, revised and working scripts, continuity reports, schedules, breakdowns, and cast calls.

This collection contains materials related to AIDS Regina and the dramatic productions initiated by them as fundraisers / education. An outreach of that work was the formation of Oscar Wilde & Company. This collection includes scripts, posters, and programmes; and by extension documents the collaboration between Nils Clausson and Guy Michaud, who established the first gay theatre company in Saskatchewan.

Fonds consists of promotional materials relating to Corner Gas including a mug, a hat, a shirt, DVDs, scripts, a signed photograph of the cast, press materials, postcards, Christmas cards, and correspondence.

This fonds contains administrative records, material related to the theatre season, including playscripts, programs, posters, photographs, publicity releases, reviews, and correspondence, as well as resumes of actors, directors and technicians. The records for the seasons covering the period 1972 to 1978 and 1984 to 1986, however, are very sparse. Also included are records relating to other theatres and various agencies and organizations connected with the dramatic arts. Due to the large volume of material, records relating to the play Paper Wheat have been organized into a separate series.

This collection contains materials created by, or about, Canadian author Robertson Davies (1913-1995). Davies was editor of Saturday Night and the Peterborough Examiner prior to joining Trinity College, University of Toronto as professor of literature. The author of numerous plays and books, Davies is perhaps best known for The Salterton trilogy and the Deptford trilogy. He received both the Stephen Leacock medal for humour and the Governor General's Award for fiction. Some of the material in this collection has been annotated by Davies, including copies of two draft manuscripts which are inscribed "to Maisie." "Maisie" is believed to be Davies' sister-in-law, Maisie Newbold (1915-2001), who was married first (in 1946) to the Australian painter Peter Purves Smith (1912-1949) and later (in 1964), to their friend and fellow artist, Russell Drysdale (1912-1981). The collection also includes souvenir coins and tokens from across Western Canada.

This fonds contains personal and research files on various topics, including a study of the Clwydian Range in North Wales, petrology, mineralogy, soil composition, oil and gas, sodium sulphate and soil mapping. In addition, there are a considerable number of area studies for Alberta, Saskatchewan, Manitoba, and specifically the Lloydminister area, as well as 75 research reports done for private companies. There are also articles on poetry and the theatre - two of Professor Edmunds's personal interests.

This fonds consists of records documenting Saskatoon Gateway Players' productions since its inception, including b&w headshots of the actors, numerous on-stage photographs of most productions, videos of some performances, programmes, brochures and posters, as well as administrative records of the organization such as board minutes and financial records. The fonds also includes copies of the Saskatoon Gateway Players newletter "The Prompter," newclippings, and an electronic database containing the production's dates, titles, actors, production crew, and season board members.

This fonds is divided into four accessions. The first consists of the departmental correspondence and reports. The majority of this accession deals with the organization and production of Summer Tours to small centres in Saskatchewan and Manitoba (1948-1950). The second accession includes a calender of performances (1946-1969), scripts and prompt books. The third accession includes class lists, lecture notes, annual reports (1955-1975), Greystone Theatre records and files relating to Drama Department productions (1947-1971). Production files contain programs, photos, reviews, box office receipts, correspondence, cast lists etc. The fourth accession contains lecture notes, essays, and writings of Emrys Jones, the first head of the department.

Fonds consists of personal and professional papers of Rita Shelton Deverell. Documenting her multi-faceted career are publications, research files, teaching records, correspondence , audio-visual materials, committee and conference records, professional memberships, reviews, clippings, and workshop records. Of particular note are background information, correspondence, financial records, transcripts, and clippings relating to Deverell's research on theatre personality, Florence B. James. Personal records include appointment books, financial records, contracts, photographs, publications, scrapbooks, clippings, and songbooks, as well as a small quantity of personal correspondence. Research files, seminar materials, drafts and abstracts, and other records relating to Deverell's doctoral studies are also present, chiefly pertaining to her dissertation on "Arts Policy, Society, and Children".

This fonds contains material relating to the research work, students, faculty and administration of the College of Arts and Sciences, and its departments. These records generally contain correspondence, minutes, reports, and memoranda; they may also contain material relating to associated national or international organizations, research articles, and addresses.