This fonds contains articles about and reviews of Aiken's published works, as well as correspondence between Aiken and others.

This fonds contains images of Canadian women of achievement; most were taken during the celebration of the International Year of the Woman (1975) and formed part of the exhibition, "30 Portraits of Women."

This fonds contains a variety of material relating to George’s interests and career; including drafts of his book on fountain pens; publications and ephemera concerning the Saskatoon Public Library’s history; and ephemera from cultural events in Saskatoon.

This fonds contains personal correspondence relating both to McNamee's art, and his work in human rights. In addition, there is considerable reference material documenting both his work, and the work of others, within the art community and for the Coalition for Human Equality. The material on CHE not only provides extensive documentation of that organizations work in Saskatoon and particularly, in the first fight to have the province's human rights legislation amended; but also contains documentation from similar organizations across Canada.

This fonds documents the lives of the Copland, Hunter and Anderson families, notably their early years following Margaret and William Hunter's move to Canada and years in Saskatoon. It includes materials relating to events such as the 1885 Resistance; later material documenting student life, at the University, as well as materials documenting the daily life of a pioneering farm family. It also includes a card collection maintained by her Barbara Anderson's daughter, Bertha; agricultural fair ribbons from Bertha’s husband, George; and University of Saskatchewan memorabilia from Bertha and George’s daughter, Thelma.

This fonds contains correspondence, clippings, photographs, reports, and notes pertaining to the activities and interests of J.M. Pepper.

This fonds contains materials relating to Poelzer’s life, her religious vocation, and her career as a professor in Educational Foundations at the University of Saskatchewan. It includes materials relating to research, particularly on women in society; feminist Christianity; Metis and First Nations women in northern Saskatchewan, the impact of development and the retention of native culture.

This fonds contains various publications and some correspondence from Peter Stevens regarding his career as a poet and editor.

This fonds contains materials pertaining to the writing, planning and production of Diefenbaker’s 80th Birthday Party in 1975. Specifically, it includes handwritten and typed notes, correspondence, photographs, slides, film and audio reels, and some clippings. The film includes footage gathered and created for the event (including new interviews with John and Olive Diefenbaker) as well as the finished product as presented during the birthday gala.

This fonds contains the personal correspondence, office, and research files of the Murray family, including W.C. Murray (President, University of Saskatchewan), his wife Christina, and his daughters, Christina, Dr. Lucy H. Murray (Professor of English, Regina College), and Dr. Jean E. Murray.

This collection contains correspondence relating to Fenton’s professional and private life—including a great deal of correspondence with notable artists, art dealers, and galleries. The fonds also contains working and completed drafts of his writing, and research notes, clippings, and photocopies related thereto. Working files from his periods of directorship, and from his time running Terry Fenton Art Services are also present. News clippings and articles about Fenton are dispersed throughout.
Art / travel journals are also included, as is an extensive collection of photographs and slides both documenting Fenton’s inventory of his own work, and also showing a range of art by others encountered over his career. A number of more personal photographs, slides and videos show artists at work and at play at a variety of workshops, and in a variety of settings. Digital and physical landscape photographs used for inspiration in Fenton’s painting are also present.
A large portion of the collection is comprised of Fenton’s library, which includes publications from the Edmonton Art Gallery, the Mendel Art Gallery, and the Leighton Foundation, as well as more general collected texts, works by Fenton, and an extensive collection of exhibition catalogues.

This fonds contains the administrative records of the art gallery, including exhibition, extension, publicity materials, and correspondence with various artists' associations and organizations.

This fonds contains correspondence, cards, and published materials owned by various members of the Kenderdine / Beamish families.

Equivalent in scope to the Presidential or Vice-presidential records, this fonds specifically documents the administration of the Saskatoon campus from 1967-1974, and includes correspondence, reports, minutes, and memoranda. It also includes considerable documentation of the various administrative committees functioning during this period.

The fonds includes film footage and audio recordings created during Christopher Chapman’s film project relating to Richard St. Barbe Baker; photographs of the film shoot in British Columbia; correspondence, drafts, proposals, notes, etc. documenting the film project, including correspondence between Chapman and St. Barbe and between Chapman and others; photographs taken and collected by St. Barbe; letters sent to St. Barbe care of Chapman during his extended visit to Canada; articles and other resource material compiled by both Chapman and St. Barbe, especially relating to forestry and the environment, and about St. Barbe; and related material including slides of the Findhorn Community in Scotland.