This fonds consists of records created, accumulated and used by Peter McGehee in his work as an artist, performer, and writer in San Francisco, California, Saskatoon, Saskatchewan and Toronto, Ontario, and as part of the Quinlan Sisters and the Fabulous Sirs. The fonds also includes photographs taken by McGehee's friends, such as his partner Doug Wilson and Fiji Robinson.

Textual records include: an outline of a script of Fiji Robinson's life story (according to Peter McGehee); a poster for "Beyond Happiness: The intimate memoirs of Billy Lee Belle"; photocopied advertisements and newspaper articles about "Boys Like Us" and the Quinlan Sisters; posters for the Quinlan Sisters; Fabulous Sirs concert itinerary; invitation to Maddy Quinlan's (Tim Lewis) 10 year in San Francisco party; and a business card for the Quinlan Sisters with McGehee listed as writer/director, Doug Wilson as manager, and Fiji Champagne, Peaches O'Cod, and Marie Quinlan as performers.

Photographs include colour and black and white prints, black and white contact sheets, print collages, and colour and black and white negatives. Images include professional photographs of Peter McGehee, The Quinlan Sisters, The Fabulous Sirs, and Doug Wilson and candid shots of Peter McGehee, Doug Wilson, Wilson's family, Fiji Robinson, Wendy Coad, Rob MacDonald, Cheryl O'Brien, Janice Kell, Michael Achtman, Brian Gladwell, Lynn McLeod, Charlie Drinkwater, Ruth Welsh, John Goodman, Julie McGehee, Katie O'Grady, and David Rimmer. Some photographs are identified as taken in San Francisco, Toronto, New York City, Rome, Italy, Granada, and Saskatoon, Climax and Meadow Lake, Saskatchewan. Most negatives are not identified. Some photos contain explicit content.

This collection contains 13 photo albums and 1 scrapbook documenting the Department of Anatomy including symposiums, retirements and classes. Many of the photos have been labelled. The images include photographs of faculty, staff, and students of that department; and various departmental gatherings, conferences, etc

This fonds contains correspondence from Reta Cowley, and John Hicks. The Cowley correspondence in part, discusses her painting process; and the Hicks correspondence discusses the Saskatchewan writing scene (particularly Prince Albert); his publications and awards, and his ideas about writing.

The fonds, related to the Frontier Radio Club, were accumulated by the source. No other information was captured at the time of transfer to the Swift Current Museum.

The content has not been professionally appraised, arranged, or described. The following is a basic listing of the unprocessed contents:

Series 1: Financial
Dates: 1976 - 1982
Extent: 13 cm textual records
Scope and content:
-Receipt Books: May 1976 & March 1978, September 1976 – January 1977, January 1977 – May 1977, May 1977 - February 1978, 1980 (Memberships)
-Bank Deposit Book, May 1976 – December 1980
-Cheque Book, February 1976 – June 1982
-Account Book (red): 1975 - 1980, along with Treasurer’s Report, January – September 1977
-Bank Statements (envelope #1): Western Savings and Credit Union, March – December 1976; January – December 1977; January – December 1978; January – December 1979; January 1980; January 1981; interest advance notice
-Cash: (envelope #2): $6.00 ($1 bill and change)
-Receipts (envelope #3): receipts for services and supplies, etc.
-Statements (envelope #4): 1979 Tax Returns and Financial statements

Series 2: Minutes, correspondence and other documents
Dates: 1976 - 1982
Extent: 15 cm textual records
Scope and content:
-Registration Notebook
-Minute Books: January 1976 - March 1979; January 1980 - October 1982
-Miscellaneous (envelope #5): receipt (Province of Saskatchewan); Resolution of the General Membership; Application under Societies Act; Policy and Procedure – The Plains CB Club Emergency Measures
-Correspondence (envelope #6): Saskatchewan Provincial Secretary; Runzer's Officer Equipment; The Societies Act; Swift Current Bottlers Ltd., etc.
-Application (envelope #7): application for permit to operate a Canadian general radio Service Station in the United States (from Federal Communications Commission)
-Membership (envelope #8): membership applications
-Miscellaneous (folder #:1): correspondence, re: dissolution of club, 1981; Chapter 142 of The Societies Act; correspondence, re: incorporation of club, 1977; financial statement 1980, miscellaneous correspondence, questionnaires completed by members
-Miscellaneous (folder #2): financial statement 1977 – 80; REAP Alberta; various letters; Constitution and Bylaws of the “Southwest Amateur Radio Club”; St. John Ambulance; SGI Insurance; letters from Saskatchewan Province Secretary; receipt from Kinsmen TeleMiracle; poster – Alberta 1st Annual CB Jamboree; Chapter 12 – The Societies Act
-Constitution Preparation (folder 3): "The Societies Act - Application for Incorporation", n.d.
-miscellaneous (folder #4 - brown plastic): The Saskatoon General Radio Club 11th Annual Western Canadian CB Jamboree, 1981; Insurance contract – SGI; various correspondence: newsletters, letters; blank memberships certificates; blank meeting/minutes form; duo-tang: Sask. EMO SEMAD (Saskatchewan Emergency Measures Air Division) exercise NO. 4. 1975, Swift Current, SK; folder containing miscellaneous correspondence with the City of Swift Current; folder containing various correspondence, re: crests and decals; folder containing correspondence, re: Halloween Patrol; notebook containing minutes from January to December 1975, roll call sheet, 1995, names and addresses, “Halloween Patrol” list, guest list; correspondence, re: membership questionnaire
-Red Book – Memberships 1975 – 1980
-Book – “Citizen Band Directory for Southern Saskatchewan June 1975”
-Black Book - Membership 1978 - 1979
-Booklet – Radio / telephone operator handbook, land/sea/air
-Scrapbook – certificates and letters
-Thank you card from the Bennett family, to George Hanna
-six "Frontier City CB Radio Club Swift Current Sask." badges, and three "Frontier City CB Radio Club Swift Current Sask." buttons

This fonds consists of records created, accumulated and used by Doug Wilson while he lived in Saskatchewan. The records relate to his involvement and interest in matters of relevance to the Saskatchewan homosexual community, to the gay rights movement, and to Wilson's dismissal from the University of Saskatchewan and his subsequent human rights claim put before the Saskatchewan Human Rights Commission. The fonds includes correspondence, clippings, and publications about his work in the gay rights movement, as well as his involvement in the creation and administration of homosexual organizations in the province, such as the Zodiac Friendship Society / Gay Community Centre of Saskatoon, and the Saskatchewan Gay Coalition. The fonds also includes correspondence, briefs and reports pertaining to Wilson's work with the Saskatchewan Association on Human Rights, and original and reproduced cartoons drawn by Wilson.

These materials were collected by Special Collections librarians and represent a significant and interesting body of work on the subject of women, feminism, and the law in Canada.

Materials relating to the Saskatchewan artist Robert Newton Hurley.

The fonds consists of records generated by the Presbytery, its secretaries, committees and related bodies, in fulfillment of their responsibilities, as outlined in the Manual of the United Church of Canada.

Contents include minutes and correspondence.

This fonds contains several drafts of the play "Chokecherry Wine (or the Hafford Wedding Caper)" including the version edited for high schools; material concerning the arrangements and expenses for the 1974 Strolling Players tour, as well as a diary of their 1975 tour.

Collection consists of programs from theatre productions, but also music and dance and some special events. The collection primarily documents the performing arts in Saskatoon and area - notably Persephone Theatre, Saskatoon Gateway Players and the Saskatoon Symphony - and includes representation from a number of independent theatre companies, some no longer in operation. Internationally, there is an extensive set of programs from the United Kingdom, most extensively from London, Cambridge, and the Royal Shakespeare Company.

This fonds contains two distinct sets of material. The first documents Wiebe’s career at the University Library and the second his participation in the activities of the University of Saskatchewan Faculty Association (USFA).