This fonds includes materials relating to Patricia Monture’s teaching, research, and professional activities on campus, as well as an extensive collection of materials relating to Indigenous rights, women’s rights, Indigenous women’s rights, the Canadian justice system, and how the Canadian justice system interacts with Aboriginal, female, and Aboriginal female offenders. The papers also explore issues of child welfare and domestic violence. A number of legal documents are included, as are materials relating to Indigenous self-governance, treaties, and the Indian Act. Also included are materials relating to Monture’s involvement in a number of national commissions including the Royal Commission on Aboriginal Peoples, the task force on federally sentenced women, and the task force on the use of solitary confinement in federal prisons. Through Monture’s correspondence, it is possible to get a sense of what it was like working as an Indigenous woman in academia during this period.

This collection consists of exhibition catalogues, posters, invitations and promotional ephemera, primarily (but not exclusively) from Canadian art galleries. The catalogues predominantly feature the work of Canadian artists, with some European and American artists (and minimal representation from Asian artists). The collection provides interesting documentation of the development of Canadian art across the country, including regional focus and to some extent, the development of interest in Indigenous art. In addition, the collection includes some auction catalogues, as well as items relating to advertising; art and design used in industry promotion; and industrial design.

This collection primarily reflects Zepp’s interest in Inuit art and artists. It includes interviews with artists, images taken over the course of several years of the northern landscape, community and individuals. Importantly, Zepp and Varga spent time at fishing and hunting camps or in the homes of artists, and the resulting material reflects that friendship and intimate relationship. Material created or acquired during Zepp’s career as a curator is also evident, including a significant photo resource of Inuit art from major collections. The reference library is an uniquely complete set of articles and major works relating to Inuit art in Canada. Additionally, the collection includes material relating to a number of other artists, predominantly from Saskatchewan, whose work Zepp admired (in many instances, Zepp organized the first major exhibition of their work).

This fonds contains material relating to all activities undertaken by the Extension Division. These records generally contain correspondence, minutes, reports, and memoranda; as well as publications and bulletins, and information on various provincial and national associations, societies, or clubs.

This collection contains correspondence relating to Fenton’s professional and private life—including a great deal of correspondence with notable artists, art dealers, and galleries. The fonds also contains working and completed drafts of his writing, and research notes, clippings, and photocopies related thereto. Working files from his periods of directorship, and from his time running Terry Fenton Art Services are also present. News clippings and articles about Fenton are dispersed throughout.
Art / travel journals are also included, as is an extensive collection of photographs and slides both documenting Fenton’s inventory of his own work, and also showing a range of art by others encountered over his career. A number of more personal photographs, slides and videos show artists at work and at play at a variety of workshops, and in a variety of settings. Digital and physical landscape photographs used for inspiration in Fenton’s painting are also present.
A large portion of the collection is comprised of Fenton’s library, which includes publications from the Edmonton Art Gallery, the Mendel Art Gallery, and the Leighton Foundation, as well as more general collected texts, works by Fenton, and an extensive collection of exhibition catalogues.

This fonds contains materials primarily relating to Moyer’s musical career. It includes reel-to-reel tapes of sessions, live night club performances, dances and other concerts, studio recordings, and interviews. In addition there are numerous early vinyl recordings, posters, memorabilia, and some personal biographical materials.

These papers include (handwritten and typed): manuscripts, drafts, journal publications, volumes and collections of his work, articles and reviews of his work; volumes of other poets work; personal correspondence and poems from the likes of Margaret Atwood, Milton Acorn, Earle Birney and Irving Layton; photos; vinyl cuts; audio recordings

This collection contains books, magazines, and a variety of ephemera associated with themes of Canadiana, advertising, keys, locks, and locksmithing, mysteries, socialism, sex and gender, science fiction, western living, adventure.

This fonds contains correspondence, diaries, minutes, research material, published and unpublished articles and presentations that document the interests and career of Lenard Findlay. There is also material pertaining to a number of university and external organizations, societies, committees and organizations.

The first accession (2011-053) contains a scrapbook, art catalogues and theatre playbill programs.
The second accession (2016-147) is a record of Calder’s activities in three areas: personal life and career as student and faculty member, career as an internationally published author, and contributions to the Saskatchewan writing community.

The fonds contains material pertaining to private papers, the careers of Patrick Hayman and Dmytro Stryjek, Inuit Art, human rights in Saskatchewan during the Devine years, sexual discrimination, homosexuality, the Visual Aids Campaign the Doug Wilson Case, artists, galleries, collectors, dealers in Canada and England and the Millard Gallery, Millard’s research into Roger North and the Notes of Me manuscript. The material consists of minutes, correspondence, records, notes, clippings, articles, photographs, slides and catalogues..

This fonds contains materials relating to Michael Hosaluk’s career in woodworking. It also documents his collaborative work with other artists, exhibitions he participated in or helped to facilitate, and includes some personal / family history.

This fonds includes correspondence, program guides, subject files, program logs, and news clippings concerning the programming and operation of the University student radio station.

This collection consists of programs, posters, photographs, video recordings and artefacts documenting the development of gay drag in Saskatchewan. The materials are primarily from Saskatoon with some from Regina, and most date from 1984 to 2004. Also included in the collection are records related to the exhibit "All Frocked Up: Glimpses of Cross Dressing in Saskatchewan," produced by Neil Richards in 2003 and presented in the Link Gallery at the University of Saskatchewan. Materials in this collection were donated by Brent Daum, Tim LeMay, Guedo Philipchuk, Neil Richards, Garnet Woloschuk and Maria Jochmaring.