This fonds contains personal and research files on various topics, including a study of the Clwydian Range in North Wales, petrology, mineralogy, soil composition, oil and gas, sodium sulphate and soil mapping. In addition, there are a considerable number of area studies for Alberta, Saskatchewan, Manitoba, and specifically the Lloydminister area, as well as 75 research reports done for private companies. There are also articles on poetry and the theatre - two of Professor Edmunds's personal interests.

These papers include (handwritten and typed): manuscripts, drafts, journal publications, volumes and collections of his work, articles and reviews of his work; volumes of other poets work; personal correspondence and poems from the likes of Margaret Atwood, Milton Acorn, Earle Birney and Irving Layton; photos; vinyl cuts; audio recordings

This fonds documents amateur and professional theatre in and around Saskatoon and contains extensive material relating to the design of costumes, including background research and watercolour design sketches.

This fonds contains administrative records, material related to the theatre season, including playscripts, programs, posters, photographs, publicity releases, reviews, and correspondence, as well as resumes of actors, directors and technicians. The records for the seasons covering the period 1972 to 1978 and 1984 to 1986, however, are very sparse. Also included are records relating to other theatres and various agencies and organizations connected with the dramatic arts. Due to the large volume of material, records relating to the play Paper Wheat have been organized into a separate series.

This fonds consists of records documenting Saskatoon Gateway Players' productions since its inception, including b&w headshots of the actors, numerous on-stage photographs of most productions, videos of some performances, programmes, brochures and posters, as well as administrative records of the organization such as board minutes and financial records. The fonds also includes copies of the Saskatoon Gateway Players newletter "The Prompter," newclippings, and an electronic database containing the production's dates, titles, actors, production crew, and season board members.

Collection consists of programs from theatre productions, but also music and dance and some special events. The collection primarily documents the performing arts in Saskatoon and area - notably Persephone Theatre, Saskatoon Gateway Players and the Saskatoon Symphony - and includes representation from a number of independent theatre companies, some no longer in operation. Internationally, there is an extensive set of programs from the United Kingdom, most extensively from London, Cambridge, and the Royal Shakespeare Company.

This fonds contains material relating to theatre in Saskatchewan. In particular, productions from the University of Saskatchewan (Greystone Theatre) and Gateway Players are well represented, but there is also material from numerous other theatre groups, including The Actor’s Lab, New Theatre Co-op, and Saskatoon Community Players. This fonds contains programmes from various plays, concerts, and cultural events, together with numerous productions in which Chrisse Bornstein played a role, either as an actor or behind the scenes. This information has been included within the file descriptions.

This fonds consists of records created, accumulated and used by Peter McGehee in his work as an artist, performer, and writer in San Francisco, California, Saskatoon, Saskatchewan and Toronto, Ontario, and as part of the Quinlan Sisters and the Fabulous Sirs. The fonds also includes photographs taken by McGehee's friends, such as his partner Doug Wilson and Fiji Robinson.

Textual records include: an outline of a script of Fiji Robinson's life story (according to Peter McGehee); a poster for "Beyond Happiness: The intimate memoirs of Billy Lee Belle"; photocopied advertisements and newspaper articles about "Boys Like Us" and the Quinlan Sisters; posters for the Quinlan Sisters; Fabulous Sirs concert itinerary; invitation to Maddy Quinlan's (Tim Lewis) 10 year in San Francisco party; and a business card for the Quinlan Sisters with McGehee listed as writer/director, Doug Wilson as manager, and Fiji Champagne, Peaches O'Cod, and Marie Quinlan as performers.

Photographs include colour and black and white prints, black and white contact sheets, print collages, and colour and black and white negatives. Images include professional photographs of Peter McGehee, The Quinlan Sisters, The Fabulous Sirs, and Doug Wilson and candid shots of Peter McGehee, Doug Wilson, Wilson's family, Fiji Robinson, Wendy Coad, Rob MacDonald, Cheryl O'Brien, Janice Kell, Michael Achtman, Brian Gladwell, Lynn McLeod, Charlie Drinkwater, Ruth Welsh, John Goodman, Julie McGehee, Katie O'Grady, and David Rimmer. Some photographs are identified as taken in San Francisco, Toronto, New York City, Rome, Italy, Granada, and Saskatoon, Climax and Meadow Lake, Saskatchewan. Most negatives are not identified. Some photos contain explicit content.

This fonds consists of records created, accumulated and used by Margaret (Fiji) Robinson in her career as a vocalist and performer in the musical revues The Quinlan Sisters (comprised of Robinson, Peter McGehee and Wendy Coad) between 1981 and 1984, and The Fabulous Sirs (Robinson and McGehee) between 1987 and 1990 in Saskatoon, Saskatchewan and Toronto, Ontario.

It also includes records created, accumulated and used by Robinson between 1990 and 2007 in the development of a book proposal and subsequent film proposal on her career as a performance artist working with writer/director Peter McGehee. Research and notes for the online GLBTQ On-Line Encyclopedia entry for McGehee's life partner, human rights activist Douglas Wilson, are also included.

It also includes records created, accumulated and used by Robinson in 2008 and 2009 in the course of producing Painted on the Spot: On the Road with Ernie Luthi, a documentary about Ernest Luthi (1906-1983), an artist from Punnichy, Saskatchewan.

The types of records included are research notes, drafts of written works, clippings, programmes, posters, song lyrics, music scores, photographs, budgets, grant applications, curricula vitae, drawings, photocopies of correspondence to Ernest Luthi, a CD-ROM and an audio cassette recording of The Fabulous Sirs in concert at the 1988 Edmonton Fringe Theatre Festival.

This fonds contains materials related both to Michael Millar’s career as a member of Humphrey and the Dumptrucks, and more personal materials relating to his life and his activity as a long-time member of Saskatchewan’s musical community.

This manuscript collection contains the Director's scripts of Radio Plays produced on the CBC National Network by Emrys Jones during the period 1952 to 1954. All the scripts are copyright by their respective authors. The authors of these plays have been arranged alphabetically in each series

Fonds consists of promotional materials relating to Corner Gas including a mug, a hat, a shirt, DVDs, scripts, a signed photograph of the cast, press materials, postcards, Christmas cards, and correspondence.

The first accession (2011-053) contains a scrapbook, art catalogues and theatre playbill programs.
The second accession (2016-147) is a record of Calder’s activities in three areas: personal life and career as student and faculty member, career as an internationally published author, and contributions to the Saskatchewan writing community.

This collection contains materials related to AIDS Regina and the dramatic productions initiated by them as fundraisers / education. An outreach of that work was the formation of Oscar Wilde & Company. This collection includes scripts, posters, and programmes; and by extension documents the collaboration between Nils Clausson and Guy Michaud, who established the first gay theatre company in Saskatchewan.

The material in this fonds documents Berry’s research, writing and teaching career at the University of Western Ontario and University of Saskatchewan, as well as work undertaken on behalf of their Faculty Associations.