The Photograph Collection consists primarily of images documenting the growth and development of the University of Saskatchewan. Images of faculty, students, staff, alumni, buildings, equipment, and various events and activities constitute the majority of the collection.

This fonds contains year books, attendance books, visitor's registers and minute and account books. The series also contains audio cassettes of the symposium entitled "Emma Lake Artist's Workshop - Community Critics Workshop" (1989).

These postcards from the early 1900’s depict missionary work, aboriginal peoples, and landscapes all across Northern Canada.

This fonds documents the teaching career and private interests of Dennis W. Harley. It contains film, audio tapes, publications by Harley, reference material, correspondence, sketches and photographs.

This collection of correspondence was predominantly written by Horace Wickenden (one note was written by Margaret Wickenden) to friends Ivan and Marjorie Logan. The letters reflect Wickenden’s views on current events, both global and national, with some emphasis on Canadian politics. In them, he also discusses books he has read; philosophy; reflects on teaching and education; and to some extent, relates daily activities and events in his life and that of his family. Very little discussion of art and painting are in the letters, although these, too, are occasional topics: particularly with regard to Robert Hurley, an artist Wickenden clearly admired.

This collection consists of exhibition catalogues, posters, invitations and promotional ephemera, primarily (but not exclusively) from Canadian art galleries. The catalogues predominantly feature the work of Canadian artists, with some European and American artists (and minimal representation from Asian artists). The collection provides interesting documentation of the development of Canadian art across the country, including regional focus and to some extent, the development of interest in Indigenous art. In addition, the collection includes some auction catalogues, as well as items relating to advertising; art and design used in industry promotion; and industrial design.

One photograph album containing photographs taken by a Canadian soldier between 1917 and 1919.

Materials relating to the Saskatchewan artist Robert Newton Hurley.

This collection is comprised primarily of exhibition mailers, as well as samples of his work in the form of stamps and book covers.

Collection mainly includes documents relating to the Saskatchewan artist Robert Hurley.

This collection primarily reflects Zepp’s interest in Inuit art and artists. It includes interviews with artists, images taken over the course of several years of the northern landscape, community and individuals. Importantly, Zepp and Varga spent time at fishing and hunting camps or in the homes of artists, and the resulting material reflects that friendship and intimate relationship. Material created or acquired during Zepp’s career as a curator is also evident, including a significant photo resource of Inuit art from major collections. The reference library is an uniquely complete set of articles and major works relating to Inuit art in Canada. Additionally, the collection includes material relating to a number of other artists, predominantly from Saskatchewan, whose work Zepp admired (in many instances, Zepp organized the first major exhibition of their work).

The Westcott-Hurley Collection contains many finished paintings, sketches, and experimental artworks by Hurley as well as correspondence, newspaper clippings, slides and photographs of Hurley, as well as his family, friends, and things that interested him.

Incomplete collection of 35mm slides used by Gordon Snelgrove in his teaching. These slides were in circulation until 2010. The paper mounted slides include handwritten notes in blue and red pen by Gordon Snelgrove.
Snelgrove’s previously used glass lantern slides were discarded when the Department of Art and Art History moved from the Hangar Building to the Murray Building. Many of the 35mm slides have also been discarded or re-mounted in plastic as the original cardboard mountings were damaged with time.
Also included is a copy of a book annotated by Snelgrove entitled.

This collection contains Christmas cards, notes and letters, ephemera and clippings sent from Ernie to Johanna over a period of years. A small amount of material is from J.W.T. Spinks.

This collection primarily contains materials acquired by Grace Taylor during the three years she spent in Japan, just prior to the outbreak of World War II. In addition, the collection includes diaries from Grace, her husband and their daughter; and numerous family photographs.