This fonds contains images of Canadian women of achievement; most were taken during the celebration of the International Year of the Woman (1975) and formed part of the exhibition, "30 Portraits of Women."

This fonds contains correspondence, cards, and published materials owned by various members of the Kenderdine / Beamish families.

This fonds contains the administrative records of the art gallery, including exhibition, extension, publicity materials, and correspondence with various artists' associations and organizations.

This collection contains correspondence relating to Fenton’s professional and private life—including a great deal of correspondence with notable artists, art dealers, and galleries. The fonds also contains working and completed drafts of his writing, and research notes, clippings, and photocopies related thereto. Working files from his periods of directorship, and from his time running Terry Fenton Art Services are also present. News clippings and articles about Fenton are dispersed throughout.
Art / travel journals are also included, as is an extensive collection of photographs and slides both documenting Fenton’s inventory of his own work, and also showing a range of art by others encountered over his career. A number of more personal photographs, slides and videos show artists at work and at play at a variety of workshops, and in a variety of settings. Digital and physical landscape photographs used for inspiration in Fenton’s painting are also present.
A large portion of the collection is comprised of Fenton’s library, which includes publications from the Edmonton Art Gallery, the Mendel Art Gallery, and the Leighton Foundation, as well as more general collected texts, works by Fenton, and an extensive collection of exhibition catalogues.

This collection consists of promotional materials for films with a homosexual, bisexual, or transgender component, in terms of characters or theme. Both documentaries and feature films are included.

This collection contains prints using the George Baxter patented method. A Baxter print is generally considered any print done by Baxter, licensees or other printers using his method. Baxter used relief and intaglio printing methods.

This collection includes working papers and completed versions of Hillis’ published and unpublished poetry, drama, and fiction, as well as research and correspondence related thereto. The collection includes a range of interviews conducted by Hillis with a number of Saskatchewan authors for her books Voices and Visions and Plainspeaking. This collection also includes chapbooks published by Andrew Suknaski, Lorna Uher, and Mick Burrs.
Further, the collection contains a range of materials gathered by Doris on the subject of puppetry for her work with the Macklin Puppeteers throughout the 1960’s and 1970’s. Her personal memoirs are also included, as are materials from her involvement in Saskatchewan’s literary community, including helpful information on the art of writing from her workshops.

The first accession (2011-053) contains a scrapbook, art catalogues and theatre playbill programs.
The second accession (2016-147) is a record of Calder’s activities in three areas: personal life and career as student and faculty member, career as an internationally published author, and contributions to the Saskatchewan writing community.

This fonds contains personal correspondence relating both to McNamee's art, and his work in human rights. In addition, there is considerable reference material documenting both his work, and the work of others, within the art community and for the Coalition for Human Equality. The material on CHE not only provides extensive documentation of that organizations work in Saskatoon and particularly, in the first fight to have the province's human rights legislation amended; but also contains documentation from similar organizations across Canada.

This collection contains the letters written by Mac Hone to Jean Ruryk from ca. 1939-1944, together with photographs primarily of the Lindner family. The letters discuss news of mutual friends from the Emma Lake Art Camp; theatre, music, ballet, movies and books; Mac’s war work (welding); etc.

This fonds documents the teaching career and private interests of Dennis W. Harley. It contains film, audio tapes, publications by Harley, reference material, correspondence, sketches and photographs.

This fonds contains numerous of Marie Elyse St. George’s prints and sketches, together with some textual records relating to print-making and writing.