This fonds consists of records created, accumulated and used by Margaret (Fiji) Robinson in her career as a vocalist and performer in the musical revues The Quinlan Sisters (comprised of Robinson, Peter McGehee and Wendy Coad) between 1981 and 1984, and The Fabulous Sirs (Robinson and McGehee) between 1987 and 1990 in Saskatoon, Saskatchewan and Toronto, Ontario.

It also includes records created, accumulated and used by Robinson between 1990 and 2007 in the development of a book proposal and subsequent film proposal on her career as a performance artist working with writer/director Peter McGehee. Research and notes for the online GLBTQ On-Line Encyclopedia entry for McGehee's life partner, human rights activist Douglas Wilson, are also included.

It also includes records created, accumulated and used by Robinson in 2008 and 2009 in the course of producing Painted on the Spot: On the Road with Ernie Luthi, a documentary about Ernest Luthi (1906-1983), an artist from Punnichy, Saskatchewan.

The types of records included are research notes, drafts of written works, clippings, programmes, posters, song lyrics, music scores, photographs, budgets, grant applications, curricula vitae, drawings, photocopies of correspondence to Ernest Luthi, a CD-ROM and an audio cassette recording of The Fabulous Sirs in concert at the 1988 Edmonton Fringe Theatre Festival.

This fonds consists of a small portion of Maugham's manuscript and published items. The majority of the material relates to "The Deserters" and includes manuscripts, proofs, and a published copy of this work. The incident which forms the central theme of "The Deserters" is a meeting between an English and German soldier during World War Two. This incident is based on an event that happened to Maugham while he was fighting in the Western Desert during World War Two.

The fonds also includes heavily annotated manuscripts of "Winter in Ischia: A Novel" and "The Account: A Novel". "The Account: A Novel" was based on Maugham's play, "Enemy." There is also a manuscript of the play, "A Question of Retreat." The fonds also includes a first printing paperback copy of "The Wrong People," a monograph which was originally published by Maugham under the pseudonym David Griffin. The fonds includes a handwritten note and published tribute written by Peter Burton, who worked closely with Maugham for many years and was one of his literary executors. The fonds also contains two newspaper clippings.

This series contains 1 bag, and 3 advertisements.

This fonds documents amateur and professional theatre in and around Saskatoon and contains extensive material relating to the design of costumes, including background research and watercolour design sketches.

This series contains 3 advertisements.

This fonds contains a variety of material relating to George’s interests and career; including drafts of his book on fountain pens; publications and ephemera concerning the Saskatoon Public Library’s history; and ephemera from cultural events in Saskatoon.

Collection consists of programs from theatre productions, but also music and dance and some special events. The collection primarily documents the performing arts in Saskatoon and area - notably Persephone Theatre, Saskatoon Gateway Players and the Saskatoon Symphony - and includes representation from a number of independent theatre companies, some no longer in operation. Internationally, there is an extensive set of programs from the United Kingdom, most extensively from London, Cambridge, and the Royal Shakespeare Company.

This fonds consists of records created, accumulated and used by Peter McGehee in his work as an artist, performer, and writer in San Francisco, California, Saskatoon, Saskatchewan and Toronto, Ontario, and as part of the Quinlan Sisters and the Fabulous Sirs. The fonds also includes photographs taken by McGehee's friends, such as his partner Doug Wilson and Fiji Robinson.

Textual records include: an outline of a script of Fiji Robinson's life story (according to Peter McGehee); a poster for "Beyond Happiness: The intimate memoirs of Billy Lee Belle"; photocopied advertisements and newspaper articles about "Boys Like Us" and the Quinlan Sisters; posters for the Quinlan Sisters; Fabulous Sirs concert itinerary; invitation to Maddy Quinlan's (Tim Lewis) 10 year in San Francisco party; and a business card for the Quinlan Sisters with McGehee listed as writer/director, Doug Wilson as manager, and Fiji Champagne, Peaches O'Cod, and Marie Quinlan as performers.

Photographs include colour and black and white prints, black and white contact sheets, print collages, and colour and black and white negatives. Images include professional photographs of Peter McGehee, The Quinlan Sisters, The Fabulous Sirs, and Doug Wilson and candid shots of Peter McGehee, Doug Wilson, Wilson's family, Fiji Robinson, Wendy Coad, Rob MacDonald, Cheryl O'Brien, Janice Kell, Michael Achtman, Brian Gladwell, Lynn McLeod, Charlie Drinkwater, Ruth Welsh, John Goodman, Julie McGehee, Katie O'Grady, and David Rimmer. Some photographs are identified as taken in San Francisco, Toronto, New York City, Rome, Italy, Granada, and Saskatoon, Climax and Meadow Lake, Saskatchewan. Most negatives are not identified. Some photos contain explicit content.

This series contains 1 poster with dates.

This series contains 1 advertisement.

UNICEF announced that 1979 was the International Year of the Child. The local public health district received $1,000 to fund a local project to emphasize the rights and needs of children. These photos depict the Christmas concert put on by schoolchildren in support.