Fonds consists of files generated by Susan Whitney Gallery Ltd, a private art gallery located in Regina, Saskatchewan. These records relate to the exhibitions and selling of art by such regional artists as Joe Fafard, David Thauberger, Russ yuristy, Bill Lobchuck, Don Proch, and Tony Tascona, among others, and such folk artists as W.C. McCargar, Dmytro Stryjek, and Eva Dennis. Other Canadian and foreign artists are represented. The fonds have been organized into ten series: Art Fairs, Artist files/Artists, Date Books, Financial Records, Globe Theatre, Invitations, Personal, Photographs, Scrapbooks, and Working files/Administration. The first series, Art Fairs, is further subdivided into four subseries: General, ART/LA/Los Angeles International Art Fair, Chicago International Art Exposition, and the Chicago International New Art Forms Exposition.

Fonds consists of records documenting the personal and professional life of artist and teacher Ted Godwin. The records are arranged in thirteen series: Artifacts (1980-1984); Art Works, Designs, Sketches and Posters (1949-1987); Calendars and Diaries (1969-1986); Correspondence (ca. 1964-1984); Financial Records, Personal (1955-1984); General Files (ca. 1965-1986); Miscellaneous Material; Newspaper Clippings, Articles; Photographs and Negatives (ca. 1950-1986); Publications (1929, 1942, 1949-1986); Slides; Audio Tapes (1981); and Videotapes (1982-1987). Of particular interest are Godwin's original sketches, sketchbooks, works of art, and posters, as well as a large quantity of photographs, slides, videotapes, exhibition catalogues, and other publications relating to his work and the work of other artists. Also noteworthy is the correspondence with architects, art galleries, and dealers, artists, art teachers, family and friends which contains copies of Godwin's outgoing letters. The General Files chiefly comprise files relating to his professional life including business correspondence; correspondence and financial records pertaining to the Hard Art Moving and Storage Co. and other enterprises; professional organization files; correspondence, lecture notes and student papers relating to his work at the University of Regina and other institutions; and a small quantity of Godwin's prose and poetry. Small amounts of personal and family materials are also found in the financial records, photographs, slides, and videotapes.

Fonds consists of personal and professional papers created by Terrence Heath, a Saskatchewan freelance writer, cultural consultant, and curator. While the arrangement of series differs somewhat between accessions, as a whole the fonds contains corresspondence, financial records, personal files, publications, drafts and photographs, the bulk of which relate to Heath's writing and to his consulting activities. Of particular note is his vast correspondence with cultural organizations and galleries, government agencies, professional organizations, publishers and book dealers, universities, media outlets, writers, poets, artists, friends, family and others, which provide a wealth of information about the literary and cultural scene in Canada. The extensive series of Heath's writings and publications including articles, essays, reviews, books, exhibition catalogues, poetry, consultant's reports, manuscripts, plays, radio scripts and commentaries, filmscripts, short stories, student papers, and talks, provide insight into his development as a writer and his wide-ranging expertise in the cultural arena. Along with the writings and publications by other authors contained in the fonds, these records serve as a rich source for the study of Canada's cultural history chiefly during the 1970s, 1980s, and early 1990s. Small quantities of personal documents and financial records are also included.

Fonds consists of 18 series: Biographical Material;Family; Personal; Early Recreation; Education; Army Service; Working Career; Personal Art Interests and Activities; Professional Activities; Professional Organizations; Writing; Newspaper Clippings; Photographs and Negatives; Publications; Scrapbooks; Slides; Sound Tapes; Death. Most series are subdivided into series and sub-series. Of particular note are: Correspondence; King's College, Cambridge University; Supreme Headquarters Allied Expeditionary Force (SHAEF); Monuments, Fine Arts and Archives (MFA); Wiesbaden, Germany (Allied Restitution of Nazi Looted Art); Henry E. Huntington Library; Metropolitan Museum of Art; Royal Ontario Museum; University of Saskatchewan, Regina Campus; and York University. Although Heinrich did not publicly proclaim his homosexuality, this aspect of his life is also reflected in his papers and thus they represent a rare source of information on the homosexual lifestyle, particularly in the 1940s and 50s. The travel photographs of both Heinrich and his father, Edward Oscar Heinrich, are particularly noteworthy, as are Heinrich's photographs relating to World War II and the MFA.

Fonds consist of personal and professional papers of economist, educator, and administrator, Dr. Thomas H. McLeod. Included are correspondence, reports, notes, and other records relating to Dr. McLeod's consulting work in Turkey (1960-61, 1966), Iran (1961-63), and Africa (1970). Also included are correspondence and reports pertaining to the Saskatchewan Royal Commission on Taxation (1963-64) and general professional and personal correspondence (1940-1972). A large series of notes, lectures, essays, and speeches relates to Dr. McLeod's teaching at Brandon College (1941-44) and contains his essays as a student at Brandon College and Indiana University, as well as miscellaneous papers and speeches written by Dr. McLeod on a variety of topics (1940-1971). A copy of his Ph.D. thesis and photos of the University of Saskatchewan Hospital Board and executive staff (1963) and the Regina Campus Library Orientation Program (1969) are also present.

Fonds consists of personal and professional papers of Manitoba artist, Tony Tascona. Included are catalogues, commission and project files, exhibition files, catalogues, invitations, and publicity material, news clippings, reference material and periodical articles, and audiovisual material relating to Tascona and his art. Of particular note is the series of business correspondence (1960-1994), the photos and slides of Tascona's work and events during his career, and a substantial collection of original art cards created by numerous contemporary artists (1952-1993), along with catalogues of other artists. The fonds also contain a small selection of Tascona's original art creations including drawings, a self-portrait, prints, T-shirts, and wedding invitations. Records relating to the Royal Canadian Academy of Arts during Tascona's tenure as prairie region vice-president (1979-1981), to the Winnipeg Art Gallery when he served on its Board (1975-1976), and to his involvement with the Canadian Conference of the Arts (1990-1993) are also present. The professional records are supplemented with small quantities of personal and family financial records, legal documents, correspondence and photographs. The fonds also includes a photograph of Tascona's grade one class with teacher, Gabrielle Roy.