This fonds contains year books, attendance books, visitor's registers and minute and account books. The series also contains audio cassettes of the symposium entitled "Emma Lake Artist's Workshop - Community Critics Workshop" (1989).

This fonds documents Dommasch's career as a medical and artistic photographer and educator. This photographic material covers a wide range of subject matter, with particular emphasis on medicine, natural history, the Canadian arctic, and grain elevators. Considerable reference material, relating to the history of photography as a science and an art, is also included. In addition, this fonds contains Dommasch's extensive collection of posters, including those used for the exhibition, "Posters Against War and Violence." This fonds contains correspondence, clippings, notes, certificates and awards, photographs, slides, sketches, posters, films and publications documenting the interests and career of Hans Dommasch.

The fonds includes paintings, sketches and memorabilia relating to the artistic pursuits and output of Olena (Sherven) Smith; and material relating to Tom Smith’s careers and interests, particularly archaeology and local history, as well as engineering and farming, including documentation of his job on the engineering crew for the Alaska Highway.

Incomplete collection of 35mm slides used by Gordon Snelgrove in his teaching. These slides were in circulation until 2010. The paper mounted slides include handwritten notes in blue and red pen by Gordon Snelgrove.
Snelgrove’s previously used glass lantern slides were discarded when the Department of Art and Art History moved from the Hangar Building to the Murray Building. Many of the 35mm slides have also been discarded or re-mounted in plastic as the original cardboard mountings were damaged with time.
Also included is a copy of a book annotated by Snelgrove entitled.

The Photograph Collection consists primarily of images documenting the growth and development of the University of Saskatchewan. Images of faculty, students, staff, alumni, buildings, equipment, and various events and activities constitute the majority of the collection.

This collection includes Howdy McPhail’s aerial photographs, predominantly of individual farms and views of towns and cities. Some images are of specific landmarks, scenic views, or fauna. All images are identified and a majority are dated. A second accrual contains examples of printed calendars and postcards that were sold by McPhail, as well as some correspondence and other business documentation. Images used in an exhibition curated by Helen Marzolf were added in 2018. Further accruals of correspondence, order forms, negatives and prints were interfiled in Series B.

This collection contains Christmas cards, notes and letters, ephemera and clippings sent from Ernie to Johanna over a period of years. A small amount of material is from J.W.T. Spinks.

This collection primarily reflects Zepp’s interest in Inuit art and artists. It includes interviews with artists, images taken over the course of several years of the northern landscape, community and individuals. Importantly, Zepp and Varga spent time at fishing and hunting camps or in the homes of artists, and the resulting material reflects that friendship and intimate relationship. Material created or acquired during Zepp’s career as a curator is also evident, including a significant photo resource of Inuit art from major collections. The reference library is an uniquely complete set of articles and major works relating to Inuit art in Canada. Additionally, the collection includes material relating to a number of other artists, predominantly from Saskatchewan, whose work Zepp admired (in many instances, Zepp organized the first major exhibition of their work).

This fonds contains photographs, negatives, slides, notes and drafts pertaining to the writing, editing and production of the book University of Saskatchewan : a photo album by Betty Jantz & Louise Barak, published in Saskatoon, Sask. by the University of Saskatchewan, in 1997.

The first accession (2011-053) contains a scrapbook, art catalogues and theatre playbill programs.
The second accession (2016-147) is a record of Calder’s activities in three areas: personal life and career as student and faculty member, career as an internationally published author, and contributions to the Saskatchewan writing community.

This fonds contains correspondence, cards, and published materials owned by various members of the Kenderdine / Beamish families.

This fonds contains personal correspondence relating both to McNamee's art, and his work in human rights. In addition, there is considerable reference material documenting both his work, and the work of others, within the art community and for the Coalition for Human Equality. The material on CHE not only provides extensive documentation of that organizations work in Saskatoon and particularly, in the first fight to have the province's human rights legislation amended; but also contains documentation from similar organizations across Canada.

These posters document some of the social activities available to students during the 1940-41 regular term. All are hand-made and most are the work of students Jim Quong and A.B. Farnam.

One photograph album containing photographs taken by a Canadian soldier between 1917 and 1919.

This fonds contains the administrative records of the art gallery, including exhibition, extension, publicity materials, and correspondence with various artists' associations and organizations.