ca. 1830]-2023 (inclusive); 1960-2023 (predominant).
This fonds reflects Brock Silversides’ interests in historical and contemporary culture, with particular emphasis on the history of photography, music, and film. It contains research materials used for eight of his books, including both published and unpublished images taken from a variety of archives, as well as from Brock’s personal collection. His numerous articles represent an excellent resource on photographers and the history of photography, as do several of the public exhibitions which he curated. In addition, his collections of historical newspapers, film, posters -- particularly for local musicians, Canadian film and Canadian artists -- represent a useful collection for anyone interested in these aspects of Canadian culture and society.
This fonds contains material relating to theatre in Saskatchewan. In particular, productions from the University of Saskatchewan (Greystone Theatre) and Gateway Players are well represented, but there is also material from numerous other theatre groups, including The Actor’s Lab, New Theatre Co-op, and Saskatoon Community Players. This fonds contains programmes from various plays, concerts, and cultural events, together with numerous productions in which Chrisse Bornstein played a role, either as an actor or behind the scenes. This information has been included within the file descriptions.
This fonds is divided into four accessions. The first consists of the departmental correspondence and reports. The majority of this accession deals with the organization and production of Summer Tours to small centres in Saskatchewan and Manitoba (1948-1950). The second accession includes a calender of performances (1946-1969), scripts and prompt books. The third accession includes class lists, lecture notes, annual reports (1955-1975), Greystone Theatre records and files relating to Drama Department productions (1947-1971). Production files contain programs, photos, reviews, box office receipts, correspondence, cast lists etc. The fourth accession contains lecture notes, essays, and writings of Emrys Jones, the first head of the department.
The fonds consists of records created by Arcola-Estevan Presbyterial U.C.W., its members, treasurers, circles and committees, as well as those of its successor, Souris Valley Presbyterial U.C.W., and their predecessors: Arcola-Estevan Presbyterial of the W.A. (Woman's Association); and Arcola, Estevan, Alameda Presbyterials of the United Church W.M.S. (Woman's Missionary Society).
Contents include: minutes, programs, and related Presbyterial meeting and Committee records; reports and financial records; membership lists; and correspondence.
Most of the material is included in a few series (Glenn Lunn Circle, Friendly Neighbors Club, 4H Club) - many books of club minutes, events or projects. Other series, such as the lodges, RCMP, Postmasters Association have only a few items.
Photographs depicting life living and working at a Grain Elevator in rural Saskatchewan, as well as travel to the United States and other social gatherings.
This fonds contains records related to the development and operation of the Athol Murray College of Notre Dame. Textual records consist of correspondence, business records concerning the Arts program, alumni records, newsclippings, and college publications and brochures. The extensive series of photographs and video recordings document college life and feature campus buildings, students, graduation ceremonies, choral and drama productions, and sports events. Sound recordings capture interviews with Notre Dame students and staff, and College songs.
This fonds consists of chapter meeting minutes, various social reports, numerous scrapbooks, and a small collection of miscellaneous items all collected and donated by the club Beta Sigma Phi. This fonds is composed of the following series: Chapter Meeting Minutes; Social Reports; Scrapbooks; Textual Records.
This fonds contains correspondence, manuscripts, notes, and clippings; the primary focus of the material is the history of Western Canada, the Historic Sites and Monuments Board, the Hudson's Bay Company, the Provincial Archives and the University of Saskatchewan.
This fonds contains documentation relating to the Hones' extensive involvement in the arts--notably, the art scene in Saskatchewan during the early 1940s and the establishment of the Saskatoon Arts Centre, the Art Association of Saskatoon, "The Prospectors," along with correspondence from friends Ernie Lindner, Nonie Mulcaster, Robert Hurley, etc. The Hone=s own artistic work is also well documented; as is their exceptional community work: with the Saskatchewan Teachers' Federation, UNESCO, Voice of Women, Regina Community Clinic, etc. The Hones were also actively involved with the Unitarian Fellowship, Regina. Additionally, this fonds contains business records from ADM Hone, Mac's father, documenting early land / mining / logging rights and development in the west. An extensive collection of slides documents the art and architecture of numerous countries visited by the Hones; including personal and commercial images of international works of art. The slide collection also illustrates many of the themes used in the Hones' art, and documents their family, friends, and interests.
This fonds contains correspondence and memoranda pertaining to Marken's teaching and writing, published and unpublished poems, plays, stories, reviews, articles and addresses as well as miscellaneous reference and resource material.
Fonds consists of working files, correspondence, lists, plans, drawings, sketches and photographs pertaining to the planning and execution of landscaping at the U of S Saskatoon and Regina Campuses as well as St. Joseph College in Yorkton.
This fonds contains notes, clippings, correspondence and audio tapes. Much of this fonds is made up of a series of journals kept by McConnell that document his interests and over a twelve year period.
This fonds contains correspondence, clippings, photographs and printed material dealing primarily with the artistic career of Ruth Pawson. These slides represent a complete catalogue of Ruth Pawson's artwork, as well as images of friends' cabins and other locations where she liked to paint. Most of the slides were annotated; title, price, size, sales, some notes, and dates where provided have been listed here. Please note that the date on the slide may refer to the date of sale, and not the date the work was created. The slides arrived in a series of boxes, each of which was labelled with dates, and have been left in that order.
